The Rogue Folk Club presents

Small Glories | Evie Ladin & Keith Terry

A Double Bill
 

The Small Glories (MB)

Evie Ladin & Keith Terry (USA)

FRIDAY

APRIL
14
 
08
00
PM
 

ST JAMES HALL i

3214 West 10th Ave, Kitsilano

Accessible All ages

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The Small Glories

Folk powerhouse pair The Small Glories are Cara Luft & JD Edwards, a dynamic duo planted on the Canadian prairies. They are a study in contrasts; Cara, all earth mother on her 21-speed bike, environmentally friendly and wholesome, ebullient and engaging; and burly JD, in scruffy beard, ball cap, t-shirt and jean jacket, slightly intimidating (until you meet him). At first glance few would peg them for a highly creative musical partnership. Yet these two veteran singer/songwriters have teamed up and are building a buzz around their tight harmonies, authenticity and visceral performances.

Luft is a Juno Award winner and co-founder of the folk trio The Wailin' Jennys.  She has earned her rep as a gutsy live performer and insightfully honest songwriter, with serious skills on the guitar and clawhammer banjo.  No Depression calls her songwriting “redemptive, earthy and rooted in realism” and the Globe and Mail says she “sings like an angel named Joni or Alanis…”  Edwards is a riveting live performer and prolific songwriter, a soulful singer blessed with one of the most versatile and powerful voices in Canada.  Both are musical road warriors who have racked up many miles on both sides of the Atlantic.

“JD put his stamp on my songs and I put my stamp on his,” says Cara. “Then there are traditionals and covers that we melded together.”  As for JD, “Cara brings a lot of great arranging to my music and more spirituality, along with a lot more of a folk influence. I think she also brings a lot of love to my music. It’s always important for artists to put themselves in awkward positions to challenge themselves, to explore themselves. That’s where the real art comes from, from figuring out how to come out of those situations, pushing yourself into a different realm of creativity and coming out of it empowered and excited. That’s what we’re doing.”

Make no mistake, The Small Glories is no one-off flash in the pan. “We could easily continue going our own separate ways as artists and be fine,” Cara acknowledges, “but doing this together right now is far better. It’s all about being fulfilled in life and I’m very happy with this combination. It’s truly a partnership of equals. There’s something about the blending of our voices and the music that we make together that’s like nothing else I’ve done, and I want to keep doing it. I’m excited about what the future holds for us as a duo.”

Thrown together purely by accident for an anniversary show at Winnipeg's West End Cultural Centre, The Small Glories is a partnership that could almost make you believe in fate.  The Winnipeg Free Press asks, "can two singer-songwriters be better than one? Yes, emphatically, yes, if the two in question are Cara Luft and JD Edwards... It’s our loss they didn’t [join forces] sooner... It’s magic.”  Together as The Small Glories, Luft and Edwards are a tour de force, a case of 1+1 = 3.

"[Luft's] amiable vocals and simplistic, lush instrumentation follow that of the long honored folk tradition with a modern twist. Lyrically [she] is like fresh linen on a Brooklyn clothesline. Her writing [is] redemptive, earthy and rooted in realism ... Darlingford conjures visions of blooming flowers in an apocalyptic wasteland, gold flaked tumbleweeds on the Trans-Canadian highway at dawn and a glimpse into the fractured and glowing soul of a talented writer and performer." - No Depression

“Co-founder of the vocal trio The Wailin' Jennys, The Light Fantastic has a more rock-and-roll bent. But even with a more hard-edged veneer the basic sweetness of Luft's songs shines through. Original compositions are spiced with Celtic and Anglo/Canadian inflections that harken to her folk roots. If you liked the Jennys' first two releases, you'll love this.” - Vintage Guitar Magazine

“Yes, Luft is a Wailin’ Jennys founder but so much more too, head and shoulders above most. Think Julie Miller meets Gillian Welch on a lot of this, with an occasional bit of Linda Thompson tossed in.”  - The Province

"It can’t be done, so don’t even try to turn away from the affecting insistence of Canada’s Luft who sings like an angel named Joni or Alanis..." - The Globe & Mail


Evie Ladin & Keith Terry

Innovative musicians/dancers with a quirky neo-trad soul, Oakland, California-based Evie Ladin & Keith Terry throw down original folk songs and deep interpretations of old songs, with the kinetic thrill of percussive dance. Ladin sings and plays infectious clawhammer banjo, while Terry is a master percussionist. It was Appalachian string band music pared to the absolute minimum of accompaniment, but packed with an orchestra’s worth of rhythm. — Music City Roots, Nashville.

A prolific singer-songwriter, percussive dancer and square dance caller, the polyrhythmic heat of Evie Ladin’s clawhammer banjo has been heard from A Prairie Home Companion to Celtic Connections, Lincoln Center to Hardly Strictly Bluegrass. She can write, she can sing, and she pulls back from the saccharine brink with wit – a sharp intelligence. – Grant Alden, No Depression.

Trained as a jazz drummer, Keith Terry brings tonal percussion to stand-up bass, is a renowned percussionist/rhythm dancer, the founder of the International Body Music Festival, and a collaborator with a host of inventive performers from Bobby McFerrin, Tex Williams and Robin Williams, to Turtle Island Quartet, Charles “Honi” Coles and Bill Irwin. Mr. Terry in action is like visiting an anatomical carnival, where hands, feet, fingers, engage in a musical ballet. – Wall Street Journal.

Evie & Keith perform for all ages, and are skilled educators, often offering workshops and in-school activities while touring, from elementary through professional level training on a host of topics. In 2016 they celebrated the release of the CD Jump the Fire with the Evie Ladin Band, a tight trio whose 2012 eponymous release won Americana Album of the Year from the Independent Music Awards.


Please note that the admission price for this concert includes a $2 Venue Improvement Fee that we are required by the St. James Square to collect from every patron. Starting in September 2016, the proceeds from this temporary fee will be used for construction projects such as ventilation, flooring and washrooms that will make the hall a nicer place for you to visit in the future. If you wish, you can make a secure donation by clicking on the big blue button at the bottom of the page at www.sjcommunitysquare.org. For information on donating by phone or post, please contact the St. James Square office at 604-739-9373.