Carlos del Junco Quartet
ST JAMES HALL i
3214 West 10th Ave, Kitsilano
Accessible All ages
Born in Havana, Cuba, del Junco (loosely translated "of the reeds") immigrated with his family at the age of one. He bent his first note on a harmonica when he was fourteen, making his debut with his high school math teacher at a student talent night. In his early 20's del Junco was immersed in a visual arts career; he graduated with honours from a four year program, majoring in sculpture at the Ontario College of Art. Sculpture has definitely had an influence on his outlook on music: "Music is just a different way of creating textures and shapes."
Carlos is certainly not your straight ahead blues harmonica player. Carlos' influences are far and wide and can quickly stray from a straight ahead blues groove into more adventurous roots related territory which may include, jazzy, Latin, New Orleans second line grooves, or ska. He will occasionally take a blues standard and flip it upside down to breath new life into it. He has recorded with Bruce Cockburn, Kim Mitchell, Oliver Schroer, Zappacosta, and has also worked with Dutch Mason, Hoc Walsh (Downchild Blues Band) and Holly Cole.
Playing a ten hole diatonic harmonica, Carlos has developed the unique ability to play chromatically by using a recently developed "overblow" technique taught to him by jazz virtuoso Howard Levy. Overall, this approach to the diatonic harmonica, although much more difficult to achieve, is in many ways more expressive and communicative than the mechanized tone produced by the chromatic harmonica. Carlos is one of the few pioneers of this overblow method, bringing musical credibility to what has still been considered by many in the music industry - a fringe folk instrument. The sophisticated sound produced by del Junco is at once sensitive, soulful, and sexy while never forgetting the rawness inherent in blues music.
The quartet comprises Carlos del Junco: harmonica and vocals, Henry Heillig: bass, Eric St. Laurent: guitars, Jordan John: drums