Ellis Paul

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2018
PM
MEL LEHAN HALL AT ST. JAMES i
3214 West 10th Ave, Kitsilano
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 Accessible  All ages
 All ages 
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"Despite  his success and sense of history, Mr. Paul remains an artist with his  eye on the future and an interest in discovering the transformative  potential in his music." - The New York Times
Some artists  document their lives through their music. Others chronicle their times.  It’s a rare artist who can do both, telling their own story through  songs that also encapsulate the essence of people and places who have  helped define their era overall. Woody Guthrie comes to mind, and so  does Bob Dylan. Bruce Springsteen certainly as well. Yet few others, for  whatever genius they may possess, can relate their own history to the  history experienced by those who find that common bond, be it in a  coming of age, living through the same realities or sharing similar  experiences.
Ellis Paul is one of those gifted  singer/songwriters.Though some may refer to him as a folksinger, he is  more, for lack of a better word, a singular storyteller, a musician  whose words reach out from inside and yet also express the feelings,  thoughts and sensibilities that most people can relate to in one way or  another, regardless of age or upbringing. The exhilaration of the open  road. A celebration of heroes. The hope for redemption. Descriptions  of those things that are both near and dear. The sharing of love...,  intimate, passionate and enduring.
These are the scenarios that emerge from Ellis Paul’s new album, Chasing Beauty,  a set of songs which detail, in typical Paul fashion, stories of people  and places that reflect larger truths about us all. “Kick Out the  Lights (Johnny Cash)” pays tribute to that fearless American icon  name-checked in its title. “Plastic Soldier” offers homage to a wounded  soldier returning from Afghanistan. A real-life barnstorming pilot takes  the spotlight in “Jimmie Angel’s Flying Circus,” while iconic Boston  blue collar musician Dennis Brennan takes the focus in “Waiting on a  Break.” Even the Empire State Building and the Boston Red Sox get their  due, via “Empire State” and “UK Girl (Boston Calling),” respectively.
In  reality, these stories are a continuation of tales Paul has told for  more than a quarter century, over the expanse of nineteen albums,  numerous critical kudos (15 Boston Music Awards alone), inclusion in  several movie soundtracks, and stages he’s headlined both near and far.  “I’ve got a car with 475000 miles on it, and it's my third road  vehicle,” Paul declares. “I’ve been doing 200 shows a year for over  twenty years. There isn’t a town in the country where I won’t find a  friend. I’m a nomad. And I’m gonna write and play until I’m gone.”
After  graduation from Boston College, Paul worked as a teacher  and social worker with inner city children by day and pursuing the  possibilities offered by Boston’s fertile music scene at night, he  gained prominence in local coffeehouses and open mic nights. It was the  same circuit that opened the door for other like-minded artists of the  day, and in turn, gave Paul exposure to such creative contemporaries as  Shawn Colvin, Dar Williams, Patty Larkin, John Gorka, Catie Curtis, and  Bill Morrissey. It also helped him win a Boston Underground Songwriting  competition and placement on a Windham Hill Records singer/songwriter  compilation, bringing him his first hint of national exposure at the  same time.
Paul also  became infatuated with the music of Woody Guthrie, drawn to Woody’s  social consciousness and the humanitarian streak that ran through his  work. He even had a tattoo of Guthrie imprinted on his right shoulder,  referring to it as “a badge of who he was.” His commitment to Guthrie’s  legacy eventually led to his inclusion in a ten day celebration of  Woody’s work held at the Rock and Roll Hall of Fame in September 1996,  an event that included such notables as Bruce Springsteen, Billy Bragg,  the Indigo Girls and Ani DiFranco and which was presided over by  Guthrie’s daughter Nora. Later, when Guthrie’s hometown of Okemah,  Oklahoma hosted the first Woody Guthrie Folk Festival in July, 1998,  Paul was tapped as one of the headliners. He has since made this an  annual part of his touring schedule, garnering the honor of being named  an honorary citizen of Okemah in the process. The connection with  Guthrie continued into the new millennium when Nora Guthrie invited him  to put music to a set of her father’s lyrics. He later participated in  the “Ribbon of Highway” tour, a communal salute featuring such  luminaries as Arlo Guthrie, Marty Stuart, Ramblin’ Jack Ellott, Nanci  Griffith, Guy Clark and Janis Ian, among others. 
There’s likely  no greater evidence of how Guthrie’s insights and humanity have rubbed  off on Paul than in this particularly telling tribute from Nora Guthrie.  "A singer songwriter is only as good as the times he reflects,”she said  in praising Paul. “In times like these, when so many nuts are running  the show, it's comforting to know that Ellis Paul is actually holding  our sanity on his own stage! Wise, tender, brilliant and biting, Ellis  is one of our best human compasses, marking in melodies and poems where  we've been and where we might go if we so choose to. Personally Ellis,  I'm goin' where you're goin'!"
Where Paul is “goin’” is to  practically every place a microphone beckons and a crowd of the folk  faithful awaits. He’s become a staple at the Newport Folk Festival,  played Carnegie hall, and venues from Alaska to Miami, Paris and  London. In addition to his 19 albums released on the Rounder and Black  Wolf record labels, his music has appeared on dozens of distinguished  compilations. A Film/DVD entitled 3000 Miles -- part concert film,  part documentary, part instructional video -- provides a further  prospective on both the man and his music. He’s also released a pair of  children’s albums, earning him honors from the Parent’s Choice  Foundation for both. His latest, "The Hero In You" has been  turned into a picture book, detailing the lives of great American  heroes. Ellis' literate, evocative and insightful writings are further  showcased in a book of poetry and short stories entitled “Notes from  the Road," already in it's third pressing. 
It’s no wonder then  that recently Paul received a prestigious honor: an honorary Doctor  of Humane Letters degree from the University of Maine, which also asked  him to write the school's alma mater as well as deliver its  commencement address in May 2014.
Happily, his music has been  shared with a wider audience as well, through commercials,  documentaries, TV shows and in the soundtracks of several blockbuster  films, among them three by the Farrelly Brothers -- “Hall Pass”  (starring Owen Wilson and Alyssa Milano), “Me, Myself, & Irene”  (starring Jim Carrey) and “Shallow Hal” (starring Jack Black and Gwyneth  Paltrow). Peter Farrelly summed up the sentiments of all those who have  come to know and appreciate Paul’s music by referring to him as “a  national treasure.”
Not surprisingly, Paul’s consistently been  heralded by others as well. One writer noted “that it reminds you how  much we need storytellers back in pop music -- storytellers with  empathy, fine eyes and an understanding that even though we live in a  soulless, indifferent would, out music doesn’t have to reflect our  culture." Another reviewer was even more pointed. “Ellis Paul is one of  the best singer/songwriters of his generation,” she commented. “And for  many of us he is the face of contemporary folk music. Few are as smart,  as literate, as poetic as Paul. I cannot think of another artist on the  acoustic music scene is better loved by fans, or more respected by his  contemporaries.”
Indeed, he is all that, and in a very real  sense, even more. He’s an observer, a philosopher, and an astute  storyteller who shares with his listeners the life lessons he’s learned,  and in turn, life lessons they ought to heed as well. By affirming and  defining who he is, Ellis Paul affirms and uncovers the essence of us  all.
Radoslav Lorković
Appearing with Ellis is the amazing multiinstrumentalist Radoslav Lorković. Drawing from a multitude of influences ranging from elegant classical and jazz styles to the rawest, most basic blues, country and soul, Radoslav has taken on an unusually broad musical spectrum and refined it into his distinctive piano style. His tenure on the R&B and folk circuits has culminated in five critically acclaimed solo recordings and numerous appearances on the recordings of and performances with artists including Odetta, Jimmy LaFave, Ribbon of Highway Woody Guthrie Tribute, Greg Brown, Richard Shindell, Ellis Paul, Ronny Cox, Dave Moore, Andy White, and Bo Ramsey. His thirty year touring career has led him from the taverns of the upper Mississippi River to the castles of Italy, The Canary Islands, The Yup’ik villages of Alaska, The Kennedy Center and Carnegie Hall.Born in Zagreb, Croatia in 1958, Lorković’s initial exposure to music can be attributed to two grandmothers. Antonija, his maternal Grandmother, sang him Croatian, Slovenian and Czech folk songs since birth. At age one he was reported to be singing on pitch. By age three he was putting on floor shows for his grandfather and friends who would respond by showering him with coins yelling “pivaj Radoslav pivaj!” During this time classical music played in the home constantly due to the influence of his paternal grandmother Melita Lorković, a internationally renown classical pianist. After this blend of central European musical influences Radoslav moved to the United States at age six. He had a foothold on a classical music career when at age fourteen he was sidetracked by a blues scale that a friend had taught him.
After several years and countless hours of expounding on this spark, Lorković began touring at age 20 with Bo Ramsey and the Sliders. Lorković entered the band having mastered the styles of boogie-woogie greats such as Albert Ammons, Pete Johnson, Freddie Slack etc.. Ramsey’s influence drove Lorković deeper to the core of the blues. The music of Howlin’ Wolf, Muddy Waters and Little Walter shifted Lorković’s focus to the basics as he began to draw from the styles of Otis Spann and Pinetop Perkins. Several years later Lorković and Ramsey joined forces with Greg Brown adding musical authenticity to his deep Iowa Roots. At this time Lorković was simultaneously brushing up on his classical heritage and looking south to the polyrhythmic sounds of Professor Longhair and James Booker. He had picked up Tex-Mex and Zydeco accordion as well. In 1990 he made his solo recording debut. Six CDs later, Lorković currently tours the world regularly appearing at prestigious events such as the Woody Guthrie Folk Festival, WOMAD, Winnipeg, Calgary, Edmonton and Ottawa folk festivals, Falcon Ridge Folk Festival, Mountain Stage, Prairie Home Companion, eTown as well as a litany of Italian castles and villas.
The Rogue Folk Club is pleased to provide great Sponsorship Opportunities for all our shows. For a nominal cost, individuals or businesses can sponsor any of our shows and reap a number of benefits - free tickets, reserved table, recognition on literature, our web site and at the concerts. For more information simply contact our Sponsorship Director Morris Biddle at [email protected]
Please note that the admission price for this concert includes a $1 Venue Improvement Fee that we are required by the St. James Square to collect from every patron. Starting in September 2016, the proceeds from this temporary fee will be used for construction projects such as air conditioning that will make the hall a nicer place for you to visit in the future. If you wish, you can make a secure donation of any amount over $5 (NOT $100 as it says) by clicking on the big blue button at the bottom of the page at www.sjcommunitysquare.org. For information on donating by phone or post, please contact the St. James Square office at 604-739-9373.









